In New York City where I live, there are flowers everywhere when Spring comes. The opportunity to run around and get photographs of the flowers makes my pocket bulge with a point and shoot camera with its 20 megapixels and great macro option.
Nearly every other day, it rains or is cold and windy that makes drawing or painting outside not practical to do, but on the other days, the flowers call me to come paint.
Inspiring touches of sunlight brighten the petals and leaves with a sparkle that I’m constantly enticed to try and capture in paint and in photographs. The colors are so beautiful.
Pansy flowers in Georgia last year – Photo by CricketDiane 2018
Bluebell flowers in New York City today – photo by CricketDiane 2019
MAKO recently filmed for season two of a show called Make-48, a hit-show that airs on PBS across the United States. Teams of inventors apply for Make-48 for a chance to compete in an invent-a-thon weekend to develop a new commercial product
Watch out for the national premiere of Make-48 on Amazon Prime and PBS in October 2018.
Make 48 –
Make48: World’s Fastest Invention Competition. Teams of all ages, genders, backgrounds, and places develop BRAND NEW ideas in a weekend invent-a-thon.
Excerpt from article about Printed 2-D Piezoelectric Materials – (worth reading all of it)
This simple, industry-compatible procedure to print large surface area 2D piezoelectric films onto any substrate offers tremendous opportunities for the development of piezo-sensors and energy harvesters.
These are materials that can convert applied mechanical force or strain into electrical energy. Such materials form the basis of sound and pressure sensors, embedded devices that are powered by vibration or bending, and even the simple ‘piezo’ lighter used for gas BBQs and stovetops.
Piezoelectric materials can also take advantage of the small voltages generated by tiny mechanical displacement, vibration, bending or stretching to power miniaturised devices.
THE MATERIAL: GALLIUM PHOSPHATE (GaPO4)
Gallium phosphate is a quartz-like crystal used in piezoelectric applications such as pressure sensors since the late 1980s, and particularly valued in high-temperature applications. Because it does not naturally crystallise in a stratified structure and hence cannot be exfoliated using conventional methods, its use to date has been limited to applications that rely on carving the crystal from its bulk.
New wood-metal hybrid for lightweight construction
[. . . ]
In the case of HoMe foam, the bending strength of the hybrid is even greater than that of its two components.
Another advantage is that, unlike wood foam, metal sponge can conduct electricity.
Combining metal sponge and wood foam creates a lightweight hybrid material with a higher functionality, one that can be used for components that provide reinforcement and absorb sound. The material is thus suitable for use in the automotive industry, for example, as reinforcing acoustic mats in engine compartments or as floor plates. Other applications are conceivable too.
Research team increases adhesiveness of silicone using the example of beetles
A research team from Kiel University (CAU) has now succeeded in boosting the adhesive effect of a silicone material significantly. To do so, they combined two methods: First, they structured the surface on the micro scale based on the example of beetle feet, and thereafter treated it with plasma. In addition, they found out that the adhesiveness of the structured material changes drastically if it is bent to varying degrees. Among other areas of application, their results could apply to the development of tiny robots and gripping devices.
[ . . . ]
The findings of the Kiel working group have already resulted in the development of an extremely strong adhesive tape, which functions according to the “gecko principle,” and can be removed without leaving any residue.
Thermoelectric devices are made from materials that can convert a temperature difference into electricity, without requiring any moving parts — a quality that makes thermoelectrics a potentially appealing source of electricity. The phenomenon is reversible: If electricity is applied to a thermoelectric device, it can produce a temperature difference. Today, thermoelectric devices are used for relatively low-power applications, such as powering small sensors along oil pipelines, backing up batteries on space probes, and cooling minifridges.
[. . . ]
When a thermoelectric material is exposed to a temperature gradient — for example, one end is heated, while the other is cooled — electrons in that material start to flow from the hot end to the cold end, generating an electric current. The larger the temperature difference, the more electric current is produced, and the more power is generated. The amount of energy that can be generated depends on the particular transport properties of the electrons in a given material.
Scientists have observed that some topological materials can be made into efficient thermoelectric devices through nanostructuring, a technique scientists use to synthesize a material by patterning its features at the scale of nanometers.
Specifically, they found that lower-energy electrons tend to have a negative impact on the generation of a voltage difference, and therefore electric current. These low-energy electrons also have longer mean free paths, meaning they can be scattered by grain boundaries more intensively than higher-energy electrons.
Well, obviously the answer is none, because mechanics are commonly called “artists”, chefs are called “artists” and the other day, I think it was a politician that a journalist noted is really an “artist” of politics. Anything can be called art until you are the one doing it – then nothing you do can be considered art.
And, never assume that any art or design at all needs to be created for the term “artist” to be bestowed upon someone or something – as long as they are not actually creating art.
It is also, neither the amount of work done, the training to be able to do it well, the efforts for some number of years to market your art and designs, nor the number of years doing it in aggregate.
But it is also not the value nor the quality of the artworks or design either, because right now – it is trendy to have a style that is severely more amateurish than ever before and if you are not producing that – then you are still not “an artist” or a “designer”.
At one time, having a body of work that you have created in art and design was enough to be a calling card that established proficiency and merit at least in claiming the term, artist or designer.
But, now that the internet is so encompassing and the merits of everything so fleeting for the next new thing, that body of work isn’t even required and in fact, may be more of a reason for business backers to not want to invest. It defines nothing of merit that says the skills are there and the works have been done.
Everything is simply about marketing and what the market wants at the moment and whether any of the things you’ve created or designed can fit the trends of today and next week. But, what if you are an American artist and designer with a body of work that proves it to be the case, and have been investing years of study and sacrifice and effort into creating those skills, artworks and designs? Then what?
It might mean something – and there might be a market for it – that is all it means. You still can’t call yourself an artist or a designer unless you are really doing something that has absolutely no relationship to art or the product of art or design – like baking, or being a heating and air conditioning repair person, or a pilot, or a mathematician or only God knows what – or a gardener, or a landscaper (but not a landscape designer, they can’t be called a “designer” in a social context.) It has been bizarre like that for years.
And, people will tell you – just don’t give up, your work is really, really good. And, they’ll say, you just need to sell it and for more people to know about it, but nobody wants to be bothered with seeing it, the excitement of creating it isn’t very exciting to the people who might want to own it and they don’t want to be bothered watching it be created either – especially since it isn’t a funny cat video.
Maybe I just need to do a cat video.
No, I’ve made some cat videos and they were not all that entertaining. Creating art could be more entertaining than the videos I’ve made of it, but it is hard to even want to do that when I already have thousands of artworks I’ve created and designs I’ve made over years and years of creating this body of work – and can’t even realistically call myself an artist because I totally suck at marketing.
And now, people want things that are vastly different with lots of white space, done by somebody in their twenties, not necessarily time consuming or intensely skilled products from it and a style that happens to be trendy at the moment. How do I even tell people about the art I have done or that I could do when there is simply no real way to show it to them or tell them about it where they want to see it and know about it?
I’m sharing this with you to try and help myself think about all of it in more expansive terms rather than as closed off as I feel right now about my work and its opportunities to find the right place in the markets and in the world.
I like it when people buy my work and own it as the special piece in their home or office or vacation house. I like that. If I understood better how to share it with them online and in person – would that be enough for people who might want it and appreciate my art and designs to see them?
About CricketDiane –
I’ve been creating nearly every day since I was a kid and that is over 50 years. I’ve created in numerous ways in a range that moves from art to problem-solving to inventing, creating music, sculpting and painting to writing and doing various computer / online based projects.
“It is better to make the effort to move forward and release the flow of ideas to work with them and do things creatively, create things and invent and write and make – I definitely know that by experience.” – cricketdiane, 2018
It is handy to have other ways to view the same thing that can inspire new ways to use it, new ideas from it, and new viewpoints about it. Whether for brainstorming or creating, these five ways to look at something differently help to approach the same thing from different avenues of thinking.
Backwards – from where you want it to be back to now.
Deconstructed – all the elements if they weren’t stuck together.
Upside-down – if it were the exact opposite of what it is now.
Inside-out – what would it be if its inside parts were on the outside.
Creatively – what it could be if it were added to something else.